Gmatwacz, by Fischerle

Gmatwacz

by Fischerle

supported by

Dariusz Jablonski Bardzo spoko się to gmatwa. Nożka chodzi.

Ueda Takayasu(Unfinished House) thumbnail

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Full Digital Discography

51

releases

Get all 51 czaszka (rec.) releases available on Bandcamp and save 85%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Royal Oxygen, Live At Billa, synagogue hum, Transactions in Time, Phantasm, Aethertalk, Disappearerest, PASS/PORT, and 43 more. , and , .

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limited edition cassette
Cassette + Digital Album
pro-duplicated cassette, cover digitally printed on orange paper

Includes unlimited streaming of Gmatwacz via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Sold Out

1.	Mylar 04:48	buy track
2.	Makaron 03:08	buy track
3.	Gmatwacz 07:12	buy track
4.	Płetwa 03:44	buy track
5.	Materac (+ Patalax) 04:50	buy track
6.	Pleciuga 04:21	buy track
7.	Mombasant 03:54	buy track
8.	Miglanc 06:07	buy track

about

It’s been a busy year for Mateusz Wysocki. First his split EP with Persuasion, then a tape on Pointless Geometry by duo IFS (with Krzysztof ‘Freeze’ Ostrowski), and a solo release titled “α-ribbon” on Pawlacz Perski. A few other exciting projects are on their way.

We’re happy to have another chance to present you Fischerle’s solo work. “Gmatwacz” starts where 2017 “Post-functional dub objects” finished. “Mylar” takes us to a familiar territory, inhabited by dub techno creatures. Quickly changing, the second track drifts somewhere else entirely. Mateusz mentioned he decided to suck the bass and the space from his music, harnessing new approaches to producing, and letting it see where it takes him.

The effect of these experimentations and abandoning old habits is astonishing and diverse. The tribal rhythms are tangled in impossible structures, at the same time disorienting, hypnotising and fun. Fischerle introduces new elements to his music as vocal snippets (in “Materac (+Patalax)”) and field recordings (a car engine, chicken crowing), which grounds his compositions in (magic) reality. The track titles, lost in translation, sums up in the best way the playful nature of “Gmatwacz”.

As the middle part of the album is an exploration of novelty, the closing track “Miglanc” returns to Fischerle’s best recognised style. Czaszka is excited to accompany him on this journey, and we’re simply blown away by this new chapter of his work.

credits

released October 25, 2019

Music: Mateusz Wysocki
Field recordings:
A4: Mateusz Wysocki, Jacek Szczepanek
B2: Gosia Słomska, Patryk Pietras
Mastering: Michał Wolski

All tracks recorded during spring and summer 2019 in Stoczek.

Artwork by DWA Graphic Department

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czaszka (rec.) Edinburgh, UK

Artwork by DWA Graphic Design Department

moltfluid.bandcamp.com

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